Tuesday, April 06, 2010

4W-5K: the Missing Link

Yesterday morning, I shook off sleep, got into a running frame of mind, laced up, stretched out and went for a run with Heather.

That's when it hit me. I haven't written about one of the most important things about getting started: stretching. It's that bridge between getting your mind right and getting your run on. (And just because I'm thinking about it, I'm going to say a little something about shoes today too.)

Stretching
I don't come from the old school or anything but for the longest time, whenever I'd start stretching out, I'd think of my Granddaddy Horne, who smoked unfiltered Camels and drank like the store was burning down. He coached my dad and uncles through baseball, football and basketball all year long and didn't have patience for pantywaist stuff like stretching.


Well, I've been around the block a few times now and not only do I have time for stretching, I insist on it now. It doesn't just loosen up your muscles, but it helps you ease into the right mood for running. I hate waking up early, getting out of my warm bed and going running. The stretching acts like a bridge from my post-bed grumpy mood to the all-smiles running mood. Your body gets in motion and those endorphins that exercise produces start wandering in.

And yeah, it gets your muscles warm too so you aren't getting hurt or cramping up. Try these:

#1) Back & Hamstring -- AT THE SAME TIME!
Isn't technology great? Yeah, I like this one because you kill two birds with one stone and if there's anything I like doing it's killing birds with stones. Okay, sorry. Yeah so the key to this one is just relaxing through it. You can try hanging there or touching your toes or grabbing the back of your calves. Just make sure you keep your knees locked so you get the full benefit. If you're doing it right, you'll be slightly uncomfortable. Get to that point and hold it for a minute.

#2) Standing Quad Stretch
This is really easy to figure out, but kinda hard to do unless you have exceptional balance. Feel free to steady yourself with a chair, wall, lightpole or nearby motionless stranger (not to be confused with a nearby emotionless stranger because those folks are mean). Be sure you pull straight back, NOT to the side. Don't pull crazy hard either because you don't want to accidentally rip your lower leg off. That would be embarrassing and would certainly set your training back.




#3) Calf Stretches
This is not where you go out to the pasture, grab our baby cow and do yoga (that's later). Here you pay a little attention to a muscle group that's easy to overlook until your running. These two stretches aren't exclusive. You can do both and perhaps should just to make sure you're limbered up. I do. However, if you don't have a wall around, the curb stretch is a dandy replacement. Either way, make sure you gently ease into these stretches because you're also stretching things like your heel and plantar fasciitis, which can be really painful when they get hurt. (I've had both and it'll shut you down.)
This is the curb stretch...
#4) Twisting toe stretch side head kick
Just kidding. But seriously, yogi helps. You can get all kinds of flexible with yoga, it's a tough workout and it helps stabilize your core, which until a year ago I didn't realize I even had. A good core makes running easier because it keeps you lined up. But that doesn't have to happen yet. (Or so I hope as my core is still hiding under some baby fat.

#5) Walking or running, start slow!
Here's one of the things I wish I'd known when I started. Your first mile should be at a really easy pace. It gives your legs a chance to really warm up. The blood starts flowing, your body adjusts to the increase in activity and all of a sudden, you're finally ready. If you're a walker/runner, this means you walk at a regular I'm-just-walking pace as opposed to the faster striding walk you'll have later. Same goes for joggers and runners: take your regular pace and cut it in half. Doesn't have to be for the whole mile, but just ease into it.

TODAY'S TIPS:
FUEL UP - You're gonna burn calories so make sure you have some to burn. Otherwise, you'll fatigue too quickly. As we advance here, we can get into all the crazy amazing specialty things like Cytomax and GU, but for now, keep it simple. Before you run, have a little something to eat. I LOVE these Fiber Plus bars. They're delicious, somewhat nutritious (more so than the bacon-wrapped sugar cubes I used to eat for breakfast) and very light on my stomach. Eating before you workout prepares your body to burn calories whereas starving yourself makes your body think it needs to conserve calories. Just be sensible about what you eat.


LACE UP - First off, no shoes are going to make you a world class runner if you aren't putting in the work. That said, the wrong pair of shoes can set you back. The quickest and easiest way to handle this is to go to a store like Run Fit Shoes, which is locally-owned and competitive with the big chains. They'll put you on a little do-hickey that shows you what kind of feet you have and then they'll bring out shoes that suit your foot type. Tell them if you plan to mostly walk or run in these shoes, and whether you're going to stick to 5Ks or get adventurous and try out longer races too.

Then be prepared to spend a little dough on this because a good pair of shoes isn't just a pair that look cool and fit well, it's a pair that will last you for a while. I spent about $90 on the shoes I wear now, wore them throughout the training for my first marathon then the actual marathon and now this training and will likely wear them in the next marathon. I'll get at least 500-600 miles out of these, maybe more. The other pairs I'd bought, spending $50-$60 each, didn't last as long so I really spent more money on cheaper shoes than I would have if I'd just bought one pair of good shoes.

Sunday, April 04, 2010

4W-5K: Getting Started

Check the bottom for a cool running tip!
Getting Started.
Contrary to what Tom Petty thinks, the wait isn't the hardest part. Getting started is.

Hopefully by now, you've already jumped in and gotten active. If not, no biggie. Like I said, getting started is hard. This post is all about just getting started, but you can expect new tips and pointers almost daily from here on out since our time is quickly dwindling.

This will be a bit long but that's only because it's important, foundational type stuff. It's also just common sense.

Step #1: Get your mind right. 
If you think of Moonlight Miles (or any upcoming 5K) as your destination, it's going to be harder on you. You'll want to be too far along in too short an amount of time. Maybe you'll give up if you're a week out from the race and not where you want to be. In other words, if you think you're going to run a 18 minute 5K on your first outing -- and you're not a superfreak with amazing Tarzan-like abilities -- then you're just setting yourself up to fail.

So get your mind right because that will make it easier for you to succeed. How's that? Think of Moonlight Miles as the start of something for yourself, not the goal, not the destination. It's just the first step, the first landmark on your way.

That means you can be more forgiving of yourself, measure your successes in appropriate relation to where you're coming from and where you're ultimately headed. Push yourself, yes, but don't disable yourself with expectations that are not realistic. Remember, right now, you're doing SOMETHING and that, my friends, is better than NOTHING.

Step #2: Set an appropriate AND tangible goal.
It's cool if you say, "I'm running because I want to be in better health," or "I wanna lose weight," but I'd encourage you to pick something that might mean a little more to you.

For example: I wanna be able to play with my kids/grandkids longer. Or: I want to walk up the stairs without getting winded.

Or: I want to finish the Moonlight Miles.

"Hey, wait a minute! Didn't you say not to make that my goal?!" No, I said, don't make it your destination. As your fitness level improves, you'll have to set new goals. Maybe this year, you finish the Moonlight Miles by walking half of it and next year -- or your next race -- you make your goal to run the whole thing.

Making your goals tangible can motivate you. Yeah, it's fun to daydream about getting that beach body for the summer, but if you don't set more tangible and obtainable goals along the way, it'll be hard for you to get to that beach body without giving up.

Be specific and shoot for things that can make your life better, that make your day more enjoyable, that make all the hard work seem worth it.

Step 3: Know yourself. Know what you're getting into.
They say sports is 90% mental but when your muscles are burning and sweat's rolling down your face, it seems a lot more physical. You know what gets you through all that? A tough mindset.

You have to know when to -- no, I'm not quoting Kenny Rogers -- push it and when to call it a day. If you don't push yourself hard enough, you don't get enough from your workout. If you push yourself too much, you can get hurt and that's never fun.

For those of you that don't know, when I first started, I was a two-pack a day smoker. My intent had been to simply go for morning walks with the woman that is now my wife, but the competitive side of me took over so when she suggested we run, I said, "Sure, bring it on." But I hadn't run regularly since I was in high school. Long story short, those first "runs" were a struggle, punctuated with lots of wheezing profanity and some roadside puking.

But I quickly figured out what I could do and what I couldn't do. I'd run as long as I could manage it and then I'd walk until I'd caught my breath and then run some more. I learned that I usually had a little more to give than I thought and I learned when I didn't have anything left in the tank, it was time to quit.

It's an important lesson and one you'll have to discover for yourself. When you do -- when you can push yourself a few extra steps, another minute or another mile after your whole body is screaming "STOP!" -- you'll not only reach your goals for running, but you'll push yourself more in other areas of your life.

A week before my first 5K, I was able to do three straight miles without stopping and I was elated. Yeah, so it took me three months to get there. I was there and I haven't turned back. Last December, after more than a year of saying I'd never run more than three miles at a time, I ran my first marathon. I'm running my next the weekend before Moonlight Miles. Why? Because I like running now. It's 90% mental, which is good because I'm pretty mental myself. 

Step #4) Have fun.
I started running because I had a crush on Heather, the woman who became my wife. But as I eased into running -- having picked some simple, tangible goals to get me started, learning my limits and abilities -- I began looking forward to it. Now, when I've got a lot on my mind, I go for a run instead of grabbing a pack of smokes or loading up on Little Debbies and Red Bull (don't ask).

I'm not into yoga and meditation because my brain is always buzzing with something. If you're like that, running might be perfect. It's the opposite of mediation. Instead of trying to quiet your mind, you let it roam free while your feet carry you. At the end, you might be physically exhausted, but your brain will probably thank you. (Plus, there's all those awesome endorphins that exercise produces!)

Regardless, if you look forward to running instead of dreading it -- like anything else -- it's much easier to actually do it. Don't think of running as some obligatory barrier you have to hurdle. Accept the pain and the suffering. When you do, you'll be able to see past that stuff pretty quickly. After all, you aren't running to feel the pain and the suffering so why are you focused on that? Think about the good stuff it gives you: a longer life, more energy, a sense of pride and accomplishment.

Homework -- Recommended Reading:
Born to Run by Christopher McDougall

This book is incredibly engaging and utterly fascinating. It's a friggin' adventure and if it doesn't make you want to run, little will. McDougall goes in search of the Tarahumara who live in the badlands on the border between the US and Mexico. They are a people who routinely run 100+ miles at a time... FOR FUN! As cool as that is, there are a host of great stories and interesting characters, and all of it makes you realize that humans have always been runners, that we are practically raised to give it up (think about how much running around you did as a kid). It also makes you realize you can really enjoy running. Great book.

Runner's World magazine
This month's issue is jam-packed with great stuff for beginners so if you're ever going to buy a copy, now is the time. That said, we just splurged on a subscription because ever issue has a great variety of tips for every level, which is good because Heather is literally miles ahead of me so I can use all the help I can get! They offer everything from coaching help to shoe reviews and nutritional advice.


TODAY'S TIP: How to catch your breath without stopping.
Sorry I made you wait this long for what I think may be the greatest single secret to running EVER. Okay, I'm sure there's other stuff, but this was, for me, like that moment at the end of The Matrix where Neo could see everything in binary code. I mean, this is where I just "got it."

When you're trying to transition from mostly walking to mostly running, do this: Jog really slow. Sounds simple but it took me FOREVER to figure that out. In the beginning, I'd just stop running to walk so I could catch my breath. But you can slow down enough to catch your breath (mostly) and then speed up again (or take it easy at this slower pace). The difference is that you keep your heart rate up AND you score a mental victory because YOU DID NOT STOP!

Granted, this is probably not going to help when you're first starting out, but once you've put a few miles behind you, this is a great way to make a big leap forward in your training. And you wanna know what? I do it all the time. There's no way I could've gone 26.2 miles without stopping if I didn't have my little friend, Mr. Slow Jog. (Ain't no shame in my game!)

Alright, that's that for now. Stay tuned for more and as always, if you have a specific question, shoot me an email or leave a comment below. If I don't know the answer, I betcha I can find someone who does.

Later!
- Chris

Monday, January 18, 2010

How I ended up at the Telegraph & notes on what I'm doing now...

As I watch the BCS Title game de-evolve into a competitive match halfway through the fourth and final quarter, and realizing I may be stuck inside for the next several days because of blizzard-like conditions that are sure to o'ertake us in the middle of the night, I figured it was a good time to say something about how I ended up writing for the daily paper.

Wheel barrows of money. They filled them up, pushed them up to my door and just started dumpin' dead presidents in piles at my feet.

But seriously, Chris, why did you sell out?

Because I never seriously thought they'd ever hire someone like me: i.e. - a self-taught hack. That's half the reason I made so much fun of them in my time with The 11th Hour. And at least half of the remaining half is because I didn't understand as much as I do already. Before I joined the 11th Hour, all I did was bitch about how much that paper sucked. Did the same thing before Heather started dating me too. I'm a tad insecure, I guess. I'm still afraid to look Joe Kovac in the eye...

Travis Fain, who I've admired for a while, is going to Atlanta to cover the state legislature and I'm temporarily filling in on his City Hall beat.


In 1995, I was a member of the Telegraph Teen Board (then called the Teen Scene). I joined as an illustrator, having grown up wanting to draw pictures for a living. I was decent at that but I had an itch to write and they let me. Specifically, Arlette Copeland let me. At the end of that year, I figured out I really liked it. When I left for college, I tried to major in journalism but I never thought to find a college that had a journalism major and that became just part of my on-going problem with higher education.

Though I only spent a little time inside the Telegraph as a teenager, fifteen years later, it isn't hard to tell how much emptier it is. The tours I've taken of the absolutely massive facility were both fascinating and sad. The press is inactive now that the paper is printed in Columbus, and with it went all the production staff down in the basement. The only living soul downstairs is the head of the maintenance staff. Just memories and dozens of rolls of unprinted paper remain.

My new colleagues, many of whom I'd slowly gotten to know as I worked with Brad and Meagan, are all really nice and supportive, almost suspiciously so. They've kept me from making a total ass of myself as I stumbled my way through three consecutive weather stories. Like I said, they're nice.

In other news, pun intended, we're just six weeks or so away from the second Crossroads Writers Conference and this year we're adding a Literary Festival so there's more to offer the general public, who probably don't care about crafting interesting characters or how to get an agent. We'll release, eventually, the guidelines for our writing contest and tease the contest that Mercer Press is going to announce at the conference itself. Hopefully some folks will get to know some of the bigger name authors that are coming to town and really enjoy what we've put together. (My cohorts on the Crossroads board are amazing!)

This morning, before heading to the Telegraph, I drove to Milledgeville for a meeting with my boss at Georgia College and State University. I've taken a position there to help build a Continuing Education program in Macon. (Think non-credit courses like "Small Business Marketing" and "Facebook for the 55+ Crowd") We're going to add a lot of kids programming and believe that we can lay the groundwork for a lot of the plans for Creative Ruckus Academy, which unfortunately wasn't funded as we'd hoped. And I have aspirations for a DIY Music Business Program and a citywide music showcase... but that's down the road a ways. As De La Soul might say, "Think big, get it big is my motto."

Man, I'm rambling again. I need to go to bed.

Congrats, Bama.

Monday, December 14, 2009

6AM, 34 degrees, 27,600 runners, 26.2 miles, 4 hrs 12 mins, 2 black toenails, and the 3628 marathoners behind me

Three or four years ago, my physical fitness was limited to roundtrip walks between the bar and my apartment with occasional divergent excursions to seemingly adventurous locales. For a while, in the shower, when the gas hadn’t been cut off and the water was warm—or when I wasn't singing to hear it bounce around the courtyard through the window that always stayed open—I would engage in a series of stretches and tell myself it was better than nothing. I’ve often been satisfied with better than nothing.

One time, completely sober, I ran up the hill at New Street from Cherry and got about halfway around the block before I gave out, walked home and smoked another cigarette. A couple weeks later, I smoked a whole pack after dental surgery because it hurt, and that gave me an abscessed tooth, which hurt way more. So I gurgled salt water, washed down hydrocodone with whiskey drinks and chased the pain with cigarettes then went out again. On a Thursday or Friday morning, you might find me asleep on the couch or floor at work from the night before. My lunches usually involved beef sticks, gas station hot dogs, orange Powerade, donut sticks or—unless I was lucky, and—Zebra cakes.

In other words, to be successful last weekend, I didn’t need to finish the marathon fast; I just needed to finish the marathon alive.

At 6 o’clock in the morning, as the temperature dipped just north of freezing, Heather and I jogged through the logjam of idle cars on I-15 with a few other runners who, like us, were worried about missing the start. We pushed through the crowd on the sidewalk outside Mandalay Bay and looked for a way in.

There were 27,600 runners in the half-marathon and marathon whose starts were combined in a rolling wave released by corrals, each one holding 1,000 people. Heather was in Corral Five, which we found quickly. It meant she was expected to finish relatively quickly. And because I’d forgotten to enter my estimated finish time, I was relegated to Corral Twenty-Five, six blocks and 20,000 people away. By the time I reached the 17th Corral, the race had already started, though it’d be almost 40 minutes before I’d get to take off. Still, I cut in line for fear of missing the race. Inside, with the collective hum of that much humanity, I instantly started smiling.

Even when I caught a whiff of the stone-faced homeless man standing next to me, I was smiling. Smiling but moving away so I could breathe, since that’s a function vital to successful running. Off and on, I saw him in the crowd, like a stoic, politically correct variation of Where’s Waldo?

Fireworks continued to go off overhead as the sun slowly rose behind the massive start line rigging. I plugged my headphones in and fired up my iPod. Five hours of music in a random mix. The first song was Ice Cube, “Today Was a Good Day.” When we finally got to run, Roly-Bots were playing in my ears but were drowned out by a Blues Brothers cover band who urged us to throw up our hands and “Shout! A little bit louder now…”

To my right and left, I saw, for the first time, showgirls and white tigers. Men parachuted down above the strip. There were running Elvi and discarded jackets, headbands and gloves everywhere. Before we even reached the first mile marker, people broke trot and lined up at the Porta-Potties. Heather was already several miles ahead of me.

The Wednesday before this, I couldn’t even walk. My right Achilles tendon felt like it might rip off my heel with the next step. I read online how, if it didn’t rupture first, it could come right off and roll the calf up into a little ball. Between the pain and a growing fear of detaching tendons, I worried I wouldn’t get to put my months of training to use, that I’d have to walk or watch from the sidelines. We looked for braces, wrapped it in Ace bandages, and massaged it with Blue Goo and Icy Hot. The morning of the marathon, we found the KT Tape samples in our goodie bags and applied just two pieces of tape to my foot, as their website instructed. The one part of my body that did not hurt during the marathon was my Achilles tendon.

Believe it or not, the first ten miles were a breeze. I found pacers in the crowd, named them in my head—Ms. Fat Booty, Mr. Grey Head, Little Asian Lady—and then, when it was time, I passed them. I made mental notes of things I wanted to share later: the guy holding a sign that read “Go Ass Monkey!”; the two middle-aged women who ran side-by-side so their matching fleece tops could spell out “Best Friends”; the tiny, elderly Japanese couple in blue karate guis; the seven-foot tall guy; the tattooed bikers in leather vests; men veering wildly from the race to pee behind buildings, palm trees and giant decorative rocks; the plump and pimpled parking lot attendant who grinned and waved with genuine cheer from his seated post outside the seedy motel in old downtown Las Vegas where bad gamblers inevitably hole up.

Rounding the corner on Spring Mountain past Mel Torme Way, at the split where the half-marathoners stayed straight and the marathoners headed into the boonies, “Just to Get By” (Talib Kweli) gave way to Floco’s “Me vs. My Ego,” and I picked up steam, climbing the first real hill of the race and wondering how long this second wind would last. I thought about Tagg, wondered if I’d wander up on him at some point, and wished I’d put his Rock KC mix on my iPod. Or the remix he did with Floco. This was just past mile 11 or 12, and I came up on a clump of people. For no reason other than instinct, I turned my head to the left and there was Tagg.

Up another hill and he wanted to make small talk. He’d seen Lady A earlier on. He’d stopped twice to pee already. After partying the Friday night before, he spent all day Saturday re-hydrating. Perhaps too much. At the next water station he slowed down to get his drink on but I was afraid to stop. I thought I wouldn’t start again and I wanted to go as far as I could before I did. I missed my mouth and spilled Cytomax on myself then turned to wave.

I hit my stride. I was on a roll. I had the eye of the tiger. I was the eye of the tiger. I felt so good I poked the tiger in the eye and then I gave it Lasik.

Around the 15th mile, it occurred to me I might see Heather because the course became two lanes that trafficked in opposite directions. For the next three miles, I entertained myself by searching for her and noting the deficiencies in the women who looked like her from a distance. They were all a great disappointment.

In my peripheral vision, I saw a woman jumping up and down and waving her arms like I was an airplane and she was the last person on Gillian’s Island. It was Heather’s mom, Pam, the Tasmanian Devil of Niceness. Her husband Larry stood next to her obscured by his camera with the giant gray lens. Excited to finally recognize some friendly faces in the sea of cheering people, I beamed like I’d just finished the race then went back to looking for Heather.

But the course diverged away from the leaders and soon everyone on the other side of the road, running the opposite direction, looked more and more like me, like a person who wanted to give this marathon a try whereas before they all looked like runners. Like Heather does. There’d be no mid-marathon, mid-road high five today. I abandoned my recognizance mission and began trying to remember where I was and what I was doing when I was 26.2 years old.

That was November 2004. I would’ve been in Bulgaria, I think, breaking up with my girlfriend. I’d been back in Macon about two years by then. Aside from her and my family, I had two actual friends in Macon: Chris Hood and Courtney Wilson. A lot has changed in the last five years.

I’d given myself permission to stop after mile 18, if I wanted to, because I’d run 18 consecutive miles in training so I knew I could go that far. When I got that far in the marathon, I no longer had to pee and I felt strong enough so I kept going, telling myself that I could stop at mile 20 since that’s where you’re supposed to “hit The Wall.”

Except I hit the wall around mile 19 instead. Without any damn warning, I completely forgot what I was doing. I kept running out of habit but could not for the life of me remember what I was even thinking 30 seconds earlier. I felt like I didn’t know anything. Had someone asked my name, I wouldn’t have even known to point at my Road ID bracelet. It was a feeling beyond tired. A few yards ahead, there laid a table covered in packets of GU, a goo-like substance that reportedly replenishes goodies like carbohydrates and stuff. I grabbed a pack called ROCTANE, which for all its supposedly manly buff and bluster was Blueberry Pomegranate flavored. It tasted like a Blueberry and a Pomegranate took a poop in my mouth.

But it worked. Almost instantly I felt better. By the time I reached mile 20, I decided not to stop at all. As goofy as it might sound, I thought about everyone I love and how much they are going through. My Dad can’t walk or talk anymore, and may never again. My brother will be in Iraqi until next July. My grandfather has Alzheimer’s and my Mammaw bares the brunt of it. Moms holds us all together, missing her son and her father but never breaking. My sister is a social worker for Hospice Care and comes down here every other weekend or so to help attend to our family’s various needs, like giving my Uncle Danny a break from being Dad’s primary caregiver. I even came up on a man wearing a shirt dedicating this race to a 24-year-old who died less than a month before.

Shit, I’m just running. If they can handle all that, I can handle this.

When I slowed, I looked for people to pass, singling out folks in costumes since it would be especially embarrassing to get beat by someone in a purple wig. I knocked them off, one by one. A pair of women dressed like flappers in cheap silver strands of plastic. The Justice League: Batman and Robin (revenge for getting passed by them in the Halloween half-marathon in Atlanta), Superman and Wonder Woman. Two or three Elvi. A caveman shilling for GEICO. When I ran out of costumes, I looked for other low-hanging fruit. Chicks in Rainbow Brite striped stockings. A teenager in blue jeans. Some crazy dude running barefooted.

On the edge of the road, next to an ambulance, wearing a shirt that said MEDICAL, a balding middle-age Asian man held out his hand, offering an open container of Vaseline.

The last hill was a bridge that stretched up and over the Interstate. This was mile 23 or 24. Late, late, late in the race. The muscle on top of my right thigh started jumping and I wondered what it might do next, watching it like it could start singing and dancing.

“Hello, my baby! Hello, my darlin’! Hello, my ragtime gal…”

At the start of this hill, a man stood on a black box. Music played on his personal PA system. He wore a Dr. Seuss hat from some recent county fair and danced back and forth as he cheered. I made eye contact and the expression he retuned spoke something like a defiant “What?” that eased quickly into insecurity.

Maybe it was just me.

The last mile of the marathon sucked. It wrapped around the back entrance of Mandalay Bay along non-descript employee parking decks and service entrances. Plus, I was really, really friggin’ tired. Still, I picked up the pace some, though I wanted to have enough leftover to sprint when I saw the finish line. I kept it cautious. I didn’t want to tear or pull anything this close to finishing. Later that evening, Heather and I would find out that a man, age 32, collapsed either 40 feet or 40 yards from the finish line of the half-marathon. He died that evening in the hospital.

On that last stretch, I went kind of deaf. I heard the music on my iPod and I heard the announcer make a comment about the number of shirts I was wearing and how one was a cotton shirt. I heard people cheering and clapping and yelling. But there was nothing going on in my head. It was completely silent, perhaps for the first time in my life. I’d already gotten teary-eyed and mushy a couple miles earlier when I realized I was about to finish the marathon, that I was not just finishing it but that I was going to go the whole way without stopping, and that it would be nearly impossible for me to doubt myself from this point forward. So when I crossed the finish line, when it was all said and done, I didn’t feel anything.

Especially my feet.

I wandered over to the tables of bananas, bagels, water and nutritional bars and such, grabbing what I wanted as I wanted. The world was still on mute—sounds coming in but largely unheard, no inner monologue… or dialogue. From one gate to another, I followed the people in front of me, like cattle. I took a picture with a Vegas showgirl just because everyone ahead of me had. The photographer told me to move in closer to her but my feet didn’t budge and I nearly went from leaning to falling.

In this haze, Heather found me. She shouted something and something else and maybe another thing before my brain came back from vacation. Even when I thought I knew what was going on, I was confused because she was dressed like Inspector Gadget. Apparently, she’d gotten cold waiting for me so Larry kindly gave her his beige overcoat. Everyone else was wrapped in aluminum foil shawls. A creepy looking guy, who may have been the Vaseline man’s brother, offered to wrap me in one, but I declined.

“You got a 4-12!” She yelled again. She was extremely happy. I had no idea what she meant. Eventually, I did. Four hours and twelve minutes. I was floored. Though barely faster than average, I thought it took me a lot longer. I’d guessed my time was just shy of five hours, which I still would’ve been pleased with since I never stopped and hadn’t died or succumb to injury, all of which seemed like plausible outcomes.

Of course Heather finished a full 20 minutes faster, but I’ll let her tell her own story. (She’s also good at Scrabble.)

There’s more, I’m sure. A moral and other observations, but we’re 2600 words down the road now, so I’m going to stop.

In summary, it was one of the top ten transformative experiences of my life. Just above the night I had my picture taken with a monkey and saw Weird Al Yankovic perform at the Tennessee State Fair, and just a few notches below meeting Heather.

I got to say, it was a good day.

Monday, May 25, 2009

a good drink is hard to find

There's this thing about the future that I'm bad about believing. In my head, it always seems like there'll be a moment "in the future" when you'll cross a finish line with your arms raised in victory, bright yellow tape clinging to your chest as you barrel through it, conquering that final obstacle.

As if every goal has a definitive moment, a time to pause then celebrate.

Despite the long, drawn out process of believing and acting in the faith that Macon not only can be cool but one day will be cool, I continue to think of it like crossing a threshold. Like today Macon sucked but then tomorrow we've reached our goals, defeated our demons and now Macon is totally rad. "Whew! Glad that's done now!"

No, it'll happen subtly, without our having really noticed it until we're taking stock and collecting knick-knacks for the Way Back When Museum.

Roger Riddle has stepped down from public displays of rocking the ones and twos. He went out with a bang and there was no way I could miss what might be the last time I ever get to one of my favorite people perform. Favorite and among the most influential in my little life here.

The problem with going in like that, with that mindset, was that I was primed for nostalgia and its way-bad misdirection. Though I don't go out to the bars expecting to write about it later, I did choose to sit on the sidelines like before, watching and taking notes, mostly mental.

(Not that I'd have to write down something as easy to remember as "There are a lot of frat guys here" or "Why is everyone dressed like they just came from a meeting with their banker?" or "That guy must've come from a post-grad clam bake in Cape Cod.")

The Hummingbird ain't what she used to be, which might be good if you squint your eyes and tilt your head. It isn't the place you'll find me getting drunk, dancing badly and behaving worse, but way back when, there weren't as many people present either. A bar could go broke like that. Not a concern of theirs anymore, apparently. I hear it's pretty full every weekend now.

This weekend, my group was completely outnumbered, the best of them out where Nigel's hand-painted hummingbird picture used to be, waving their metaphorical freak flags, doing their little dances, making plans to make a little love. Meanwhile, a steady stream of pastel-clad college kids trickled in from the back patio, past Riddle and his dancing minions, to the bar and back, sometimes as they engaged in a scrum or two.

Isn't this what we asked for? Didn't we indiscriminately say we wanted the "college crowd", which in this case seems to be constituted of dudes who keep golf visor companies in business and the chicks who settle for them.

This is what a college town looks like, right?

Not that there's anything wrong with the kids that were there (I used to absolutely LOVE polo shirts, braided leather belts, tucking my shirttails in and wearing socks with my sandals... seriously, I did) but what became apparent to me is that there's got to be more than just coaxing the college crowd out to get plastered.

I mean, get plastered but realize there's an art to that sort of thing. My friends and I perfected it.

Sitting there with a table full of people once considered most likely to cause troublel, walk out on their tabs and somehow still be likeable, I suddenly felt an overwhelming amount of empathy for Hank Williams, Jr. He'd grown used to a life where all his rowdy friends were coming over (because they were ready for some football) but now, as he famously sang, these same rowdy friends have settled down.

Except I am settled down now too. (Mostly.)

There and then, I wanted my youth back, but just for a second, and only because I didn't trust those college kids with it. There was no rage in them, no restlessness. Yeah, they get mad and get in fights but that's all ego. We had a bunch of hurt feelings and weren't those more interesting? We got drunk and went exploring, using alcohol as anesthesia so we could pull back the layers without feeling it too much. We were curious and pissed off, and ignored, crying out in the wilderness like John the Baptist, making wishes we weren't careful about only aware of the mistake now that the headman's plate has been passed around.

Bah.

I shouldn't be so negative about it. I should be more open-minded. I'm just getting old. And I'm tired. It's after 1am. Past my bed time.

Besides, some of my best friends were in a frat.

Wednesday, May 20, 2009

I took a liner in the mommy-daddy button

Seems a pattern is emerging.

As a 15-year-old, I ruled Shurlington Little League one glorious summer day when, in a playoff game against our arch-rivals, The Marlins, I clubbed three home runs off three different pitchers. We won, but before the final score was tallied, my glory was marred when I ran back to tag first on a routine grounder and collided with the runner. Though I got up and finished the game, my post-game trip to the ER revealed I'd torn the ligaments on my ankle.

Last night, I had flashbacks to sandlot glory. After grounding weakly up the middle for a single in the first inning, I came up with a runner on in my next at-bat and skyed a high fly ball that got just enough push from the wind blowing out to carry over the right-center field fence. Next at-bat, I got up under another one but hit it a little more solidly into a tree beyond the left-center field fence. Two home runs.

The way the rules run in co-ed recreational softball (it's a bit like calculus... or waiting tables at Waffle House, which I have another story for another time), one team can only be ahead of the other by one home run, which meant we couldn't hit another unless they did first or it'd be counted as an out.

Instead of going yard, one of their ladies sent a low liner screaming into the outfield where I was. Okay, maybe it wasn't screaming, but when it took an unexpected hop and hit me in the gonads, I swear I heard screaming.

Actually, I didn't feel anything at first. It was like stories I've heard about getting shot. I didn't notice the pain until after I'd picked the ball up and thrown it back to the infield. Floco asked, "You alright?"

That's when I felt like throwing up. That all too familiar knotting pain that crawls up the spine and winds around the guts.

Very next pitch, some big hoss hammers one my way. Thank god I didn't have to move much because I was barely able to straighten up at that point. Had he put it six feet on either side of me, I might have just stood there and watched it roll.

My next at-bat, the effects were lingering but in passing. I knew I couldn't go yard again so I tried chopping down on the ball and managed a little double.

By this point, we'd come from behind, thanks to some timely hitting by Floco "hot like the sun, wet like the rain and fast like the Flash" Torres, and Doug Rohme who conjured a totally shocking standing triple out of his hamstrung arsenal.

Defensively, we'd tightened up, with Leslie and Stacey anchoring the corner outfield spots, Steph and Steve turning in solid stopping power up the middle, Tabitha "Stretch" Walker hauling in everything with ten feet of her at first, and Hannah "the Helmet" Marney taking over catching duties while Jessica Stinson takes a vacation. Oh yeah... over on third, even Andrew Blascovich was impressive, making four straight outs by himself. Tricky ones too, involving guile, agility and tagging runners who'd wandered too far from the bag.

On one particularly awesome series of screw-ups, Floco overran a ball and I threw it into Steve who whipped it in to Blascovich just off the bag. He turned hard and slapped the runner (girl) in the face with it in his glove. It was a Face-Tag for the third out.

In the final inning, up by a run, we had some defensive lapses but recovered in time to stop the bleeding and keep them from getting too far ahead. The score was 12-11 heading into our last at-bat.

And we very quickly notched two outs. But then Face-Tag hit a squibber in no man's land for an infield single. Then Stephanie, who eats line-drives for breakfast, delivered a laser right down the first base line. Picasso couldn't have painted it better.

I was up with two ducks on the pond and two outs. If I accidentally hit another homer, the game was over. They were playing me deep but towards right because I'd been going opposite field. So I decided to pull one and ripped one over the left fielder's head. Two runs scored. A triple. Game over. MIA goes to 10-3.

And this morning, my balls still hurt.

Monday, May 11, 2009

Grandma's Hands

We were supposed to have handled this for her, but Mammaw couldn't let us amateurs desecrate this Mother's Day meal, so she kept checking in on my stirring. As she did, I realized that I hadn't spent much time with her in the kitchen unless it was in line for the grub she's cooked. I hadn't watched her.

It was fascinating to me. Just the little bit she did, the subtle touches.

There were four pots on the stove. Two full of the rice we made, one where tea was brewing for the three gallon dispenser that'd fill the family, and another with ground beef in a curry gravy. This is the heart and soul of our family dinners: curry and rice. I grew up thinking everyone ate it, like the other foods we enjoyed: pot roast, mac n cheese, mashed potatoes. Didn't realize that this dish, like my mom and Mammaw's lives before me, were different than most. It, like their histories, were rooted in Africa, which itself was marked by other cultures. Namely India by way of Great Britain.

"The one thing you're doing that you don't want to do is keep stirring the rice," she said to me. She took a small clump and tasted it. "It's done."

And we left it be, putting the lid back on. The curry was still a little soupy but burning on the bottom because I wasn't stirring it. And I had it on high. Mammaw bumped me out of the way, grabbing the controls and adjusting everything calmly but quickly, telling me how to be of real help. My little world shifted in the ten seconds she took charge. I felt like I'd just watched an astronaut radio back to ground control, turning knobs on that multi-million dollar panel, displaying the poise of someone who trained endlessly to keep cool under pressure.

She still surprises me, which says a lot because she set the standard for surprise so high.

Their house was (and still is) adorned with the knick-knacks of world travel, especially the sort of things that a little kid's imagination runs wild with: the skins of exotic animals, spears, drums, masks, totems, and a mounted water buffalo head. And they came with stories of native head-hunters, of close-encounters with rhinos and buffaloes (like the one on the wall), of pistol packing and elephant guns, and giant snakes.

One of my favorite pictures in this whole world is of my Mammaw holding a rifle, standing resolutely with my mother as a little girl hidden behind her skirt. At their feet, a 15-foot snake missing its head.

The same woman that fed me chunks of honey and granola, calling them Scooby Snacks, who let me and my buddy Frank dig a swimming pool in her backyard, who tucked sheets on the couch so I could take a nap (but who would get mad if I put my shoes on the same couch), had also blown the head off of a monster snake.

Because my granddad, Pop, was in Africa for months at a time, we hardly saw him. He was something of an irregular curiosity for me. And we really only saw my paternal grandparents at the holidays and birthdays. So Mammaw was the super-grandparent, caring and compassionate, but also a bit of a bad ass.

And on Sunday, a Mother's Day, she made something that seemed so simple--stirring food--into an artform. I was humbled. The food had always been artful, but now I'm aware that the process is its own event.

On the way to her house, Heather's visiting friend, Beth, ran through the names and relations of my immediate family and asked "Is there anyone else?" Dozens.

"Yeah, but don't sweat it."

As I told her later, I was eight or nine before I had it figured out. There are routinely between 15-25 people at a family dinner.

Looking around the room at my siblings, aunts and uncles and cousins, and the little kids running around, I realized something else: this didn't exist before Mammaw. Not just in a biological sense, but I'd taken the closeness of my family for granted like I had taken the curry and rice for granted. (Everyone's this close, right?) Futher, this semi-regular gathering from points across the state wasn't a tradition she'd passed down to us. It was something she'd invented.

She's the center of our family. Our sun. We revolve around her. And her cooking. It's something she did so artfully that we followed her force of personality without struggle or resistance. Mammaw did something that is, in truth, really hard and made it look easy... more than easy: natural.

Friday, May 08, 2009

return to the land of manliness

There was a long stretch in my life, a few summers at least, when I was convinced there was nothing I couldn't fix with a six gallon air compressor and a 16-gauge finishing nailer. And though I'm really out of practice with either, I have never stopped wanting my own. That tool-lust stirs with every trip to Home Depot, as I pass through the hardware aisles--as casually as possible, pretending I don't want an angle grinder even though I don't know what they do... besides grind at an angle--eyeballing the objects of my infinite desire like a jilted lover watching his old flame hold hands with his new replacement.

It creeps Heather out, I think.

Well, Home Depot had a sale and the Honey-Do list was growing. Between the two, I came away a much richer man. Six-gallon air compressor and 16-gauge finishing nailer? Oh yeah, and that's not all. Racked up a set of cordless power tools: circular saw, sawzall and a screw gun. Came with two batteries, a charger and a bigass canvas bag, convenient for storing or transport.

And as if that weren't celebration enough, my lady took me to see Wolverine battle Sabretooth and various other bad mutants on the big screen. Oh it was an awful, terrible action flick with gratuitous violence, machismo-cheesy dialogue and characters broadly painted with the most archetypal of human emotions... and its only real flaw is that the producers wanted a PG-13 rating so the violence featured limited blood and the only real swear came when Wolvie said he was gonna cut off Sabretooth's "goddamned head".

Despite that, for no less than 24 hours after exiting the theatre, I believed I could kick someone's ass... or build them a house. I wanted to chomp on short cigars and grow a beard. It felt like a great day to wear a plaid flannel shirt and say things like, "Torque." I stood back and surveyed my land of manliness, which I'd crafted over the past month in a series of home repairs and improvement: laid new floors in the kitchen, trimmed the back door so it don't stick, pulled up 500 lbs of concrete and relaid a walking path in the front yard, and scraped the hillside clear of years-old mulch, pine straw, brush and bushes. Just cut the grass and trimmed the hedges. Soon, I'll install a bathroom light with a built-in fan.

Why? Well... because I'm a man and that's how a man shows his love of home and honey... and because she's having a "goddess party" and wanted the place to look nice so... you know.

Doesn't matter because I also conned her into letting me get a new 42,000 BTU grill with cast iron grates and a side burner. I've been making my coffee on it every morning. Black as midnight. Stirring it with the brush I use to knock off the charred remains of last night's porterhouse steak. Life is good. I have a nail gun, and when I can figure out how to justify it, I'm gonna get a framing nailer too.

Then maybe I'll look into those angle grinders...

Thursday, April 09, 2009

Unified Macon Theory: What stays in Macon, dies in Macon

This won't make sense to some of you, at least the part where I'm authoring it. It'll seem contradictory and maybe even contrary to my previously stated beliefs. Hopefully the rest of you will get it.

There are three reasons why I believe so strongly that some of the players in our current music scene will make a significant impact on the music world-at-large (and thusly, the world-at-large). No, reason number one isn't that I believe in magic, or that it's because there's something in the water (though I do believe in magic and think there's something in the water... something magic in the water).

In fact, these three reasons are the same three reasons why I think historic Macon musicians have had such an impact on the world of music, thusly the world.

#1) To be a remotely serious musician in Macon, Ga, means you have dedicated yourself to your music because you know no one is listening, which, in turn, means you're going to be more concerned with your craft than whether or not the people here like it. You probably have more than a little confidence in yourself, which doesn't hurt.

#2) Having relegated yourself to the outskirts of the local population, your friends are likely going to be other remotely serious musicians from whom your learn and take some motivation. Your clique is probably pretty tight and most of your conversations are, at some point or another, about music. Your passion is becoming your life fully.

#3) Being a remotely serious musician in Macon soon leads you to one inevitable question--"How serious am I?"--and depending on your answer--if it is "very serious"--you're then led to another question: "How do I get the fuck out of here?"

The same thing that seems like a problem in Macon is probably what has given Macon its place in history, its advantage over other places like Atlanta, LA or New York. You THINK you're serious about music when you uproot and head to LA, but trying to get someone to pay attention in Macon, you've got to be serious then, right?

More than that, there's the issue of your competency. Just because you're serious (or you think you're serious) doesn't mean that you're any good. In most cases, good just means you've been working on it. Talent or talentless, nothing good comes without practice. In other words, it doesn't matter if there's something in the water here because all the water in the world won't make you worth listening to. So you can go to LA or New York because you're serious (or think you're serious) but if you're in Macon for a little while, you'll find yourself consumed by your music.

Consider Malcolm Gladwell's 10,000-Hour theory. He says to be an expert means you've put in 10,000 hours into a subject. For Bill Gates it was computers. For the Beatles it was music. Before they broke big, they spent 10,000 hours at their chosen field.

Think about Little Richard on the Chitlin Circuit, in the bawdy houses and nightclubs performing with drag queens and piano players. Just to eat, he was putting in days and days of shows every week, and the hours started racking up. Same for Otis Redding. Think about how many church services, how many of those talent shows, how many Hamp's Hops... the hours piled up.

You might not know this but Otis Redding didn't sound like the Otis Redding we know today back when he was sweeping those talent shows. He was doing Little Richard knock-offs and Sam Cooke covers. That's why he won them--he did a good job impersonating artists the crowd knew. It wasn't until he started hanging out with Johnny Jenkins (or so Jenkins says) that he tried to break away from that because Jenkins told him to find his own voice, and supposedly, with the help of Johnny's guitar-playing,
Otis did just that.

That's that community of outsiders. It's how the Allman Brothers were formed. Go ye forth and make a jam band out of what you find. Boom! Those outsiders came together with their different influences and made some music stew.

And I don't know if I really need to explain reason number three, but I will elaborate. It seems simple enough to get out of Macon, to pick up and leave town, but it isn't. (Both Little Richard and Otis Redding both recorded on the West Coast before going broke and having to return to Macon.) If you're smart that drive to leave will motivate you to do whatever it takes to be successful because that is your best chance at leaving.

Look at Emmett Miller. I know he's not a popular example because he's most widely known as a blackface minstrel singer, but he is considered an important figure in American music and he is from Macon. And he does illustrate my point.

He so wanted to leave town, to join the minstrelsy circuit, that he dropped out of school and started hanging out with black people so he could be more "authentic". Yes, his caricature of them is absolutely deplorable, but at the turn of the century, when the predominant form of popular music (i.e. - pop music in the early 1900s, which prevailed for nearly 100 years of this country's 233 year existence) was blackface minstrelsy, and white folks weren't supposed to mingle with black folks, he had to be dedicated to what he was doing if he was going to go that far. (By the way, the first all-black blackface minstrelsy group was also formed in Macon, a few decades before Emmett Miller got famous.)

For Otis Redding, it meant serving as Johnny Jenkins roadie on a trip to Memphis because Jenkins and the Pinetoppers--not Redding--had the recording contract with Stax Records. He loaded and unloaded the band's gear and begged (or pestered) the Stax crew until they let him record his song with the 30 minutes left on the session.

I see these parallels now with the folks making music in Macon, GA. I see a handful of passionate and dedicated musicians doing nothing but making music and hanging out with other people who make music. You should already know their names because they're playing here so much. And I see most of them eyeballing the bright lights of the big city. That is as it should be because the only way they'll ever realize their dreams will be to try it out somewhere else.

Every show I go to now, I'm thinking about whether or not it's the last time I get to see them here, in the grungy little dive bars, in the ill-suited night clubs, in the basement of an "event center". I don't see them stopping here, not because they're greedy and want lots and lots of money, but because they just want lots and lots of people to be able to hear what they've done.

There is no doubt in my mind that one of these people (and probably more)--Floco Torres, Oh Dorian, Al K!NG, Rolybots, Nomenclature, City Council, Citizen Insane, Abby Owens, etc., etc.,--will make a big splash when they jump into that big pond. No doubt in my mind at all.

The weird part is that this is sort of an argument against supporting the music here. Or maybe, if you squint your eyes and tilt your head, it's just another way to tell you all that it's happening whether or not you like it, support it or even know it exists. In another 20 or 30 years, it'll just be another wonderful facet of our city's cultural contribution that isn't utilized to make the city better, which means in another 20 or 30 years, another crop of musicians will emerge.

And so on and so forth, ad nauseum. Amen.

Wednesday, April 01, 2009

Mouthin off...

(This is the long overdue posting of my long ass response that I wrote {and sent to the appropriate people} to an editorial in the Mercer Cluster, which stated we have no music scene and then blamed it on the lack of bands and venues. While I agree we have some work to do, my belief is that what we lack is fans. Wow. That's probably all I had to write... whoops. If you feel like reading three pages of my ranting, get down on it.)

Mr. Brown, Editors, et. al,

Loved the April Fools Day stories. Good satire. It is unfortunate that Eric Brown's piece about the Macon music scene wasn’t conceived in a similar vein. It would’ve been closer to the truth if it had been.

It’s disingenuous for Brown to name Nomenclature and then say they moved away and think that’s an accurate or even adequate description of what’s happening here, as if the only good band left town. The problem here is folks here don’t look for local music so they don’t know that there is anything good.

So what Brown accidentally illustrates is one of the major and generally unaddressed causes of our chronically sick music scene: uninformed opinions have become the prevailing wisdom, having spread like a fungus that colors public perception so that it becomes a "reality".

In other words, one of the reasons our “music scene sucks” is because so many people think our “music scene sucks”.

Just as it is hard for a “dirt-poor college student” to “create an award-winning venue”, it’s hard for a dirt-poor musician to bust his and/or her butt when no one’s showing up because they’ve already decided that there isn’t a music scene worth supporting. (The musicians, however, continue to.)

To avoid making this a totally subjective argument about taste, just look at one of this year’s Bearstock posters. The bulk of the opening acts are local, spanning a variety of styles and sounds, and there were many more from which to choose. The bands that made the cut (and most of those that didn’t) all play frequently, so the real question is why didn’t Eric Brown know that they existed?

Until recently there haven’t been enough fans to support local bands to make it a financially reasonable prospect for venue owners to showcase more local talent, which means the scene wasn’t very visible. But that’s changed. All the good venues—limited as they may be—book a healthy dose of local bands.

Even though local bands sometimes suck at promoting their shows—whether humility or laziness—they do play often enough that, if you’re looking for live local music, by now, there are no good excuses not to have seen Floco Torres, Citizen Insane, Trendlenberg, Rolybots, Al K!NG, Oh Dorian, Abby Owens, Magnificent Bastard, City Council or the dozen others I could name.

UNLESS… A#1) you’re scared to frequent the venues where they play, or B#2) you don’t actually like music enough to go see someone that doesn’t already have an album on a major label.

So now the question is: Do you REALLY want more “interesting and experimental” bands? If so, forget about learning an instrument and starting a band, as Brown suggests, just be “interesting and experimental” yourself. Be adventurous enough to see what already exists.

Folks like to compare Macon to cities with a thriving scene, but they forget one of the most crucial elements: FANS! In places like Athens and Atlanta, people will go see music for the sake of seeing music. And then… then the bands have to work to steal attention away from other bands. Our bands compete against prime time TV and the hordes that only go out to get drunk and get some booty.

Brown asks: “So how to fix this problem?” My response is stop being a part of the problem. If you look for good local music, you’ll find it. You’ll become a patron of the Hummingbird and the Capitol where regional and national acts play. You’ll know that the biggest strides in the local music scene haven’t been made by The Refuge (though I love JJ Weeks and his crew) or at Jittery Joes (where I sit typing this). It’s in the cracks and crevices downtown, like the Golden Bough, the Macon Venue Project, Envy and the 567 Cafe, or even uptown at Rivalry’s, the Shamrock and CJs.

Honestly, I don’t even like all the music here, but I don’t have to. I support what I like and try to be nice to everybody else. There is enough going on here that that’s all you have to do. It isn’t a charity. It’s like anything else, you might suffer through some crap to get to the good stuff, but regardless of how well it matches what you like, there is plenty to choose from—far more than most think.

I’m not trying to invalidate everything Brown wrote or even to take jabs at him, but I believe there are some serious issues to address before the blame is aimed at a supposed dearth of musicians or venues. Remember, we’re all still driven by very simple market realities: supply and demand. There is a dearth of demand. That’s what must change next.

Or maybe we just need to admit we’re not really THAT interested in local music, that we just want bands like The Flaming Lips and Death Cab for Cutie to play Macon so we don’t have to drive to Atlanta. If that’s all this is about then we’re just displaying a fundamental misunderstanding of music business, and the problem remains the same. Those bands don’t play here—not because there aren’t local bands to open up (see who’s opening for Gym School Heroes and Chester French) or because there are no venues (we have spaces so small they only fit 30 to those big enough to hold thousands)—but because they cost tens and tens of thousands of dollars for a performance.

And really, that’s only a problem because “no one” pays to see live music here. Ludacris didn’t sell out the Coliseum and Dwight Yoakum couldn’t even fill the much smaller City Auditorium. Our problem is the absence of real music fans, and the money they generate, which funds it all.

I used to think like Eric Brown (and scores of others)—it’s Macon, not me. Then I became the nightlife writer and later the editor of The 11th Hour, and watched what happens here. I'm now the publisher of Georgia Music Magazine, which is housed by the Georgia Music Hall of Fame, a tourist destination that should be treated like a blessing to this city but is, instead, ignored by locals and the officials they’ve elected.

But it isn’t all bleak. For the past three years, I've been on the board for Bragg Jam, a music festival which is hitting its stride. I’ve been a part of the Bearstock selection committee for the past two years and think it’s about to cement its place in the community. More people are warming up to live music here.

To push it more, I helped start The Local 478, which tries to facilitate growth in local music scene with showcases and concerts. With the help of local musicians, I'm putting together Monkeywrench Music Club, a multifunctional space where bands who can't get booked elsewhere can play, where bands who have nowhere to rehearse can rehearse, where they can get their mail, copy flyers, burn CDs and meet other musicians. This summer, we're going to release the first wave of albums on Random Family Records, a record label whose roster is entirely made of local talent.

You can see why I might be a little sensitive about this, but beyond my obvious bias, I hope you see the much deeper lesson: if you’re looking for good local music, you can find it. I have. And with that, I’ve found a lot of great people, crazy stories and the kind of fun I never thought possible here. All I had to do was look.

I agree with Brown when he writes, “By creating a closer community of bands in the Macon area, you can guarantee a better music scene…” I agree because I’ve been watching it happen for the past couple of years, and I hope that now that you all know it exists, you’ll support it. That’s the piece we’re really missing now.

To that end, I would be honored to introduce Eric Brown and the Cluster editorial staff (and anyone else who is interested) to a wide spate of the talented musicians ranging from indie rock to hip-hop and all sorts of stuff I can’t begin to classify. We’d love to see you be a part of building this music scene because I truly believe that history is about to repeat itself in Macon, that there are some names in the lineups around town that will eventually join the list of celebrated Maconites.

See it for yourself. Come out to Rivalry’s this Friday night to check out three of the best bands in Macon, swing by the show at Monkeywrench on Saturday, April 11, or wait until Bearstock and see even more in action. If you still feel like the scene is “far away” then it’s just a matter of your taste being bad. (Just kidding… no I’m not.)

Tuesday, March 17, 2009

Al Gore Rhythm

Maryann, a very good friend of mine, whom I contacted very shortly after transforming my thoughts about leaving The 11th Hour into word and deed, told me that things would be alright. Though I don't recall the words exactly, she even insinuated that things would be better than I imagined, that the stars would line up, that opportunities would come my way.

It was if I'd jumped in ice water and she reminded me to breathe. That was why I wrote and then called her. I needed help breathing and she'd jumped in that ice water before me. She knew what it was like.

Today, I accepted an offer to become the co-publisher of Georgia Music Magazine. Without getting into detail, I can tell you that the offer was a complete and total surprise to me, but after that first meeting, talking with Lisa Love, my new boss and the director of the Ga Music Hall of Fame, I couldn't stop thinking about the opportunity.

This is not a job that will make me rich; that isn't why it's such a great opportunity. But it is a new set of challenges and hopefully a chance to make an impact.

In short, I'm being asked to help GMM reach its potential, to help it grow by focusing on non-editorial aspects, namely ad sales, distribution, subscriptions and marketing. Considering how solid the writing and art direction is, I believe most of my job will simply be letting people know what it is, where they can get it, and how they can become a part of it.

If you've ever had a conversation with me, you realize that I'm a little nutty about Macon trivia. It's gone from a curiosity about my hometown--not knowing anything of its history until after I left--to a point of pride. It will be very similar for me thinking in a broader sense, Georgia vs. the World. We're awesome and everyone else is merely okay.

Right now, I'm just getting my feet wet, going over the materials, researching the world of glossy magazines, gathering my thoughts. In the interim, I want to say this: I'm glad that it isn't a writing job. I've been enjoying writing more as a personal hobby, a conversational means via blog or email, and I hope to continue that way. I think a large part of that means not writing for a living. At least until I write the sequel to the movie novelization of the Great American Novel.

Either way, as I hung out with Maryann today and told her the news, hearing her remind me that she was right about everything, I couldn't help but think: Wow, Maryann sure was right about everything--it is all going to be alright.

Monday, March 16, 2009

Jive Turkey: George W. Bush Presidential Library to contain world's largest collection of coloring books

Jive Turkey News Exclusive:

George W. Bush Presidential Library to contain world's largest collection of coloring books; most not yet colored in

Dallas (TX) -- Though Former President George W. Bush's recent visit to Southern Methodist University stirred concerns among the faculty and staff, many of the students of the on-campus Learning Rainbows daycare center were absolutely thrilled. At stake, Bush's effort to secure $300 for his presidential library.

Dr. H.M. Murdock, a professor of political science, derided the visit as a "shame and scandal upon the good name of this once proud educational institution," claiming that the former president's policies and actions "should invalidate any effort to lionize him, especially in terms of some positive historic performance."

Six-year-old Tommy Parton, after learning that important classics from the world literature of coloring would be stored in "The W", was ecstatic, "I like to draw on clowns!"

The President of the university, R. Gerald Turner, shrugged his shoulders at the conflicting responses and said, "Who gives a rat's ass what they put in it? Do you know how much money this is going to make for the university? That's right, looks like Gerry Turner's got a brand new bag. Of loot. What's up, bitchaz?!"

(This was satire. The real story is here: Battle brews over Bush library)

Friday, March 13, 2009

Let's all move to Easton!

Since I've already upset the Macon-Bibb Convention and Visitor's Bureau this week, I figure I might as well just go off some more.

(No, I do not hate the CVB, nor am I picking on them. They aren't the problem in Macon -- several bear that responsibility. Plus, I happen to LOVE Ginny, Ruth, Janice and all the other lovely ladies, but I'm pissed right now about the leadership and direction of Macon, and I'm about to tell you why. )

My interests sometimes swing wildly between opposite ends of the spectrum. Every spectrum. I'm a man of extremes, an ADHD-addled human pendulum. Right now, I want to move to Easton, PA. And I want you to move with me.

Here it is in a nutshell: http://en.wikipedia.org/wiki/Easton,_Pennsylvania

If you knew me a few years ago, you know that I fell in love with Bulgaria and wanted my friends to set up a colony of Macon expatriates. Having been devastated financially by the fall of Communism and the Soviet Union, Bulgaria is a bastion of cheap booze, cheap smokes, cheap rent and cheap eats. It's also really pretty in springtime (and frigging cold in the winter). It was not really a noble daydream.

Well, my fiancee was an undergrad at LaFayette College, on the hill overlooking downtown Easton, which is why we were just there and how I fell for the place. In the last Census, the city (it's three townships and three boroughs) totaled a population less than 30,000 people.

Despite the much reported dwindling population, Macon (just the city, not including unincorporated Bibb) claims more than three times that number: 97,000.

Easton never abandoned its urban core. Even in the harsh economic reality of this recession, they only had a handful of empty storefronts or residential spaces open between the bustling and VERY historic downtown and its neighborhood on "The Hill".

And there's this: New York City is less than an hour and a half away. It's a $19 bus ride. Philly is about 70 miles away. Plus, Easton's homies in the Lehigh Valley, separated by about 30 minutes each, are Bethlehem (founded by Moravians, home to two colleges, and was the birthplace of The Rock, so you know it's cool) and Allentown, which is bigger than both.

It takes as long to get to Atlanta from Macon, and almost three hours to Savannah. Hardly the same, plus you pretty much have to drive because public transportation just isn't a priority in The South, so once you get to Atlanta or Savannah by bus, you'd be stuck. Not to mention it costs $32 bucks each way by Groome, which only takes you to the airport. A Greyhound ticket, if you feel like braving that bus station, is $27.

There is only one major celebrity from Easton, boxer Larry Holmes, and he still lives there. (Writer Stephen Crane is a LaFayette graduate, I'm told.) The community reached out to him and he's stayed invested, financially and in terms of marketing.

We have oodles of famous people from Macon, and none of them live here--nor can you imagine them doing so. Gregg Allman is in Savannah and Little Richard chose a little town in Tennessee. Someone is just now doing something with the Allman Brothers Big House (the non-profit Big House Foundation), it took about thirty years for an Otis Redding statue, and NO ONE HAS DONE SHIT with Little Richard's house, which is still standing. I dare you to find any other modern American legend who has been so ignored by his hometown. Find ONE thriving town and/or tourist location that hasn't marketed the hell out of their famed alumni.

Meanwhile, you'd think the only thing that's ever happened in Macon is a Cherry Blossom Festival. (Not to say it should cease but that there needs to be a major recasting of our image. SERIOUSLY. There is no place that can claim what Macon can claim from Sidney Lanier to Emmett Miller to Little Richard, James Brown, Otis Redding, the Allman Brothers, Mike Mills and Bill Berry of REM, Lucinda Williams, Lena Horne, Jimi Hendrix, as well as guys like two-time Oscar-winner Melvyn Douglass or acclaimed music writer Stanley Booth.)

Let me tell you what the heart of my hopelessness is: The majority of the things that we all like about Macon has been propped up by the private sector. The culture of this town has been heralded by? The 11th Hour, Bragg Jam, MaGa and a handful of other loose screws. The music heritage has been showcased by? Mostly by the above and the Ga Music Hall of Fame, which we're in SERIOUS danger of losing because our local officials won't fight for an institution that has 30,000 visitors a year (aka - enough to exceed the size of Easton, PA). The downtown area and all its charm? Kept alive by Mercer University, developers and non-profit organizations like Historic Macon, the Peyton Anderson Foundation, the Knight Foundation and NewTown Macon.

What has our city leadership been waiting on? Why are they so content with just REACTING to situations that arise instead of proactively looking for ways to improve our city? What vision do they have for Macon over the next five, ten, fifteen years? Do they even have ANY vision for it?

I know the private sector does. And it only took two days in tiny Easton for me to see that they have a vision for themselves. They know their resources, what they can be and what they want to be, and they've gone after it.

No, from what I can tell, their artists, musicians and other creatives aren't as edgy and interesting as Macon's. They have no real art or music scene to speak of. But remember that these things for Macon have developed of late, and quickly, and in spite of leadership that doesn't care, doesn't get it or doesn't want it. Plus, if you all move there with me, they'll have a killer scene!

Frankly, I love Macon and I don't ever want to leave... but only if I have enough reason to stay. I want to want to stay, and the powers-that-be aren't doing a real good job of making that happen--for me or anyone else. As I think about starting a family, I realize I'm not responsible just for myself. I'll be thinking about my wife and my kids. If things continue as they have, we will be faced with a situation where we won't be able to stick around waiting any more. We'll be deciding between struggling for change in Macon or going to a city that actually wants us.

That's what has me so mad.

Tuesday, March 10, 2009

the real reason why I left the 11th Hour

It's exactly as I said in the paper: needed more time with my family and wanted to try something new. When Mike Donila agreed to come aboard, I figured it was a good time, just because I knew they'd have a great guy with tremendous talent.

What I'm doing next?

Don't know exactly. I'll report back when I do. In the meantime, I plan to get my soapbox fix here, just like it was before I got in with the paper, regardless of whether or not anyone is reading. It'll give me something to do until I get busy again.

Sitting at Jittery Joes, I picked up the Telegraph and a familiar feeling swept over me: anger and hopelessness. (That's a wee bit of an exaggeration.) The lead story is a good one about the service delivery strategy, which I firmly believe is an issue with greater importance than most folks would suspect, though the headline itself is stupid. Next to it, a national story--like just about any you can find on Yahoo or Google--about Obama's reversal on stem cell research.

Below the fold, which is a weird no man's land since it is the front page but on the half most folks ignore when they're weighing whether or not to buy it, a story about how the Macon Police Department and Bibb County Sheriff's worked together with several other agencies to crack a meth trafficking ring. THAT IS FUCKING HUGE!

But because it's the (nee' Macon) Telegraph, it goes below the fold. That way, people can keep bitching about how the police don't do anything, going on about how bad crime is here and all that. It goes below the fold, beneath a national story that--while important--has less impact on our daily, local lives.

If the next biggest local story was about the birth of 39 puppies, instead of 39 arrests made in conjunction with the drug ring bust, I could see it below the fold.

Bah.

I said it was familiar, and I mean more like de ja vous. Before I started writing for the 11th Hour, I was upset by an issue of The Telegraph that put a headline about Wesleyan's endowment above a story about the way in which poor folks were gonna get screwed by state tort reform.

But, Chris, one is very local, and the other is a statewide issue. Yeah, but in this case, the tort reform law sort of flew in without much notice--or at least much ruckus from poor folks who would no longer be able to sue doctors beyond a preset limit, etc--and it seems like that would be the story you want to roll with. Wesleyan, which is a fine institution and all that, only has a few hundred students. There are THOUSANDS of broke people in Macon.

Do you see where I'm going?

Well, you will. Because I'm gonna bitch and moan for a while. (Just not all of it today.)

Wednesday, January 07, 2009

Terms of Engagement (or the Union of Beer and Wine)

Sometimes I really wish this blog was more like a fireside chat, that I was adorned in a smoking jacket of the finest silk and that my British accent didn't suck so much. I want to steal that Masterpiece Theatre vibe because some things deserve it. Some news doesn't belong in a blog, and shouldn't even be delivered over the phone let alone in a text message, but since this is how we communicate these days, shit happens.

By being new to Facebook and therefore unaware of its CNN-like power to distribute news, I accidentally told everyone that I'm engaged. I did it because I was giddy and I thought it'd be neat to change my relationship status, to see the way it looks. On Myspace, only the more astute (or stalker-ish) folks would've noticed. On Facebook, it's like a 1950s anchor who flashes up on the screen to say, "We interrupt your regularly scheduled programming to bring you this breaking news item!"

Oh well. Say it loud, say it proud, right?

If you know me then you know that was a pretty Chris Horne way to get the word out. Consequently, in real life, I'm either telling people like a four-year-old who just got a brand new pony, or trying to figure out whether they already know since EVERYONE is on the internet. That's not an exaggeration. Within a couple of hours, I had about 50 comments congratulating me. (I've since learned that there is an etiquette to responding to the news of an engagement. You congratulate the will-be groom and tell the will-be bride that you're very happy for her, which, in my case, sounds like someone giving their condolences to Heather. What etiquette covers appropriate ways to respond on a social networking site?)

If that wasn't Chris Horne enough for you, maybe this will be: I proposed about three weeks before I intended to.

I was brain-storming ways to propose since I met her, but I got serious about it in August, researching potential locales and getting her to agree to go on a secret getaway with me in December, telling her it was just to blow off steam between the colliding pressures of work and the approaching holidays.

When her best friend came to town, we snuck a few minutes to talk about it (just in case Heather had said anything like, "I totally wouldn't marry Chris if he asked me!"). Then her mom and grandfather came for Thanksgiving, and somehow I managed to find the opportunity (and the nerve) to ask them each for their blessing. In secret, I worked with Kevin at Meadows Fine Jewelry to get a ring designed. I started taking on freelance writing assignments hoping to help cushion that financial investment.

Things were coming together. The plan was to take her to Savannah for a night then surprise her with a train ride to Charleston. Then, on the last day back in Savannah, we'd go see the Flannery O'Connor house and maybe sit in the park next to it, chatting. At random, I'd drop to a knee and she'd get all excited and I'd be like the most romantic beau ever. Trophies would be carved in my image and presented in my honor.

Instead, I proposed after a half hour of sobbing and begging, both knees planted on the hardwoods of her home office floor.

Okay, it wasn't THAT bad, but... it wasn't quite Savannah either.

My problem is that I like to use diversionary tactics when I've got a secret. In my mind, the most logical thing in the whole world is for me to propose, and if you've met her or known me before and after her, you'd totally agree. I figured I needed to throw some curveballs and changeups—keep her off-balance so she wouldn't immediately suspect anything. I wanted it to be a big surprise.

(Note: No, I didn’t see that episode of Friends.)

In the months leading up to it, when she'd mention the future, I'd dodge it, saying, "I don't want to talk about that now." Or, I'd make comments like, "I don't know if I'll ever get married," or, "I don't believe in the legal institution of marriage; it's just a document that means two people can sue each other if things don't work out."

Naturally, she started to wonder how serious I was about her. And well, that took its toll. One Sunday—November 30, to be exact—we walked into her place, where I'd become a pretty constant presence. I asked if she minded if I watched the last 15 minutes of the Falcons game. She said she didn't but she sounded like she did. And we started talking.

All the confusion and uncertainty I planted about the path we were on came to the surface. I may have had a way out of proposing, but I really didn't want to smooth things over just to go on hurting her feelings for the next three weeks.

But I also didn't want to make her think I was proposing to her to just shut her up. In the nanoseconds that this was all running through my head, I knew I needed to convey that this proposal had been on my mind for a while.

So I said, "You know that trip to Savannah we're taking in a few weeks?"

She nodded.

"Well, I planned to propose to you there."

Silence.

And then it dawned on me that I didn't say that right. I tried to fix it by telling her who all I'd talked to, that I'd gotten her grandfather's blessing and mother's blessing. But what she heard was, "You ruined the surprise."

She looked so shocked, sad and broken that I panicked thinking that I'd just lost her. I started groveling. Over the next ten minutes, I was more honest with her than I've ever been about anything else in my life.

Eventually it worked. I asked and she said yes and we spent the rest of the evening in a silly stupor. The next day we were both back at work, albeit a little giddier than normal.

That wore off as the daily grind wore on, which was one reason I had hoped to wait until the beginning of Christmas break. Plus, I didn't have the ring yet.

The night I got the ring from Kevin, I had to drive to Augusta with my brother because he needed help moving to Columbus. The two of us loaded a 24-foot U-Haul trailer with 6,500 lbs of stuff (he weighed it before and after) and then I drove back to Macon.

I showered at my apartment to surprise her with my cleanliness. After hanging out for a minute, we went for a walk—to see the Christmas lights, I said.

I wanted to propose on Magnolia Street in front of the house where we met but I parked too far away and it was too cold to logically make the trek. I figured I could propose in front of one of the magnificently lit mansions on College Street, but then two youts shrouded in hoodies walked up and I decided to keep the bling in my pocket.

Finally we got to the top of Coleman Hill, overlooking the city of Macon in all its holiday splendor. What better place to propose? Except there were several cars parked up there, each with windows fogged by couples making out inside.

Just before we got in the car and pulled away, I asked her how much she loved me, and she spread her arms, affecting the accent of a very large character in Monty Python's Meaning of Life. That wasn't exactly what I was looking for, but it was perfect still. And I dropped to a knee and asked if she loved me enough to marry me.

Her face shook with joy, the way my hands shook with anxiety as if I didn't know what she was going to say. It was a lot more like the moment I'd imagined we'd have. And somehow better too.

In October, I'm getting married to the most awesome woman ever. It'll be in Las Vegas, but not on The Strip and Elvis won't be there either. When we get back, there will be a massive celebration in Macon. In other words, my 2009 will be great no matter what.

Sunday, November 30, 2008

Mesmerized by the Dressy Weiner

Mesmerized by the Dressy Weiner
(or, The Heart of Rock n Soul is Still Beating)

Today, after a homemade dinner of beef curry and rice, my Mammaw said, "You look like you feel like dog squeeze." I mention it because my answer was affirmative, and because I'm now trying to better incorporate "dog squeeze" into my vocabulary. I'd appreciate it if you did the same.

Despite a history of late nights and binge drinking, I'm actually just a little sick right now. Coughing, fever, achy muscles and such. Perhaps shouting for six hours in a smoky bar wasn't the best way to get over my cold. But it was the most fun way to ignore it.


The second gathering of the Associated Creatives and Eclectic Malcontents for Productive Deviance, Local 478 (sponsored and supported by The 11th Hour) was fan-damn-tastic.


I'll just start at the end and work my way back. Perry Valentyne and Jubee—collectively called City Council—got together with some of the members of Citizen Insane—namely Jesse, my new favorite guitarist, and Shawn, my new favorite funky drummer—as well as special guest bassist, Travis Something Shirt-n-Tie, and Matt (bka – One Bad Catholic) on the ones (no twos), and they made beautiful party music together. In a week's time, they learned four songs together. It was, as Stephanie "Freakshow" Furst (of Under the Gazebo) awkwardly said, "Off the chain." On the last song—the already awesome "Thru the Blinds"—Willie D of Nomenclature hopped on stage. It was live. I don't think I was alone in hoping it'd keep going.


And maybe they're psychic because after I said thanks and y'all be safe getting home, I noticed Shawn, Travis, Jesse and Matt were still going. They hadn't stopped. And if Vic hadn't kicked us out, they might still be playing now. Jubee and Perry took turns freestyling. Then Floco Torres and Al King took their shot. Then Jubee again.


That was just the end of the night, like from 12:45am until close. The whole night had been crazy, a constant crowd that easily doubled the turnout for the first Local 478. Word's getting out, and the early reviews are all positive.


I'll be honest. I thought I'd over-reached with this one. I thought I was pushing it because I had the Freedom Jazz Trio starting things off, and nothing about jazz seems like the Hummingbirdon a Saturday night. But that big 9 o'clock crowd didn't flee. They dug it. The reincarnation of the cool, y'all.


But then panic struck when Freedom Jazz was almost done and I couldn't find 9fh Gutta. In a pinch, I turned to Floco and Al who agreed to rock out without any rehearsal. Despite being on the spot, they didn't disappoint. They never do. In fact, I had some folks asking why I didn't let them go longer. They're each stars in the making. No joke.


One of their new fans is Interscope/Myspace recording artist Meiko, a Roberta-native and former Macon resident who has been making waves all over the country, touring with Katy Perry, Sara Barelles, Mat Kearney, and several others. She's had her music popping up on TV shows like Grey's Anatomy, was an iTunes featured performer, a former 1 download on iTunes, and her self-titled album just cracked the Billboard Hot 200, a pretty impressive feat considering she peddled it herself for about a year when she was just an indie. Anyway… I'm a fan, yes.


(The Local 478 is doing a very special Christmas show with Meiko at the Cox Capitol Theatre on Tuesday, December 23. She's hooking up with Sonia Leigh, and we're working on a surprise local act to put in the mix, so stay tuned. {It'll be a good way to get worked up for the next Local 478 show on Saturday, December 27—the perfect way to blow off steam after Christmas.})


So, with Guttz still nowhere in sight, Floco and Al introduced Roxy Love for her Hummingbird debut. She only did one song, but she's already building a fan base. Her voice is hard to describe. You really have to hear it yourself.


One of my favorite things about last night was that we had some hardcore punk rockers in attendance, mixing easily with our hipsters and hip-hoppers, the oddballs and the squares alike. I've known some of the guys (and fans) of The Intoxicated for a while, and I loved having them side-by-side with folks like Gutta, who finally showed the fuck up. (He says he had car trouble so I'll give him a pass.)


With some help from Synister Sounds and Hymajesty Ace, Gutta brought his enlightened Dirty South sound to the stage. As hard and heavy as he was, it was the perfect set-up for The Intoxicated, who came screaming straight out of the slums of Crap Country. Wouldn't mind seeing them work on something together...


As this thing goes forward, I want to hear more from folks about what they like and don't like, about what they want to see and what they've seen enough of. It's always going to be a work in progress and I've learned some lessons already. But I'm always open to new suggestions (that doesn't mean I'll use them all, or immediately). So far, the consensus is that Macon has done this homegrown music thing before and we're close to seeing it jump off again. Regardless of the outcome, we're having fun trying.


Thanks to everyone who was a part of it. See you real soon.


(When you get the chance, peep this soul-affirming blog by the one and only Lady A-1 Sauce!)

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